sound compositions

Where Is (2018)

 

The piece is ultimately a duet of a spoken voice and a double bass (performed by Simon Waters), both of which contain elements inspired by the photograph of ‘Swallows gather in a flock’ by Alexandros Kantoros. It features the poem 'The House That Stood For Happiness' by Maria Mcmanus. It is an original composition created for the project 'Sound Photography' hosted by Cities and Memory.

Read more about the piece here.

HANGOVER (2018)

A spoken word piece musicalised by experimental musician Slow Clinic (James Edward Armstrong) as part of 'All Of Us Are Medicated', a collaborative project curated by Slow Clinic. The project is supported by the Mental Health Foundation, and has been released for Mental Health Awareness Week 2018, with 100% of the proceeds being donated to the supporting charity. 

     She That May Be Carried On The Wind (2016)

​This composition was commissioned for Mean Time, a collaborative sound art project curated by La Cosa Preziosa & Rachel Ní Chuinn. Ten women composers/sound artists were invited to create a piece of music based on the abolition of Dublin Mean Time. Read more about it here.

In October 2016, the composers came together for an improvised performance which is available to watch here. 

Une Chambre Arlésienne (2015)

                                                                                            was conceived, composed and performed in Arles, France as part of a radio art workshop with Alessandro Bosetti at Phonurgia Nova in July 2015. It is a very personal sound piece with biographical approach, which was the main concern of the workshop itself. The piece is site-responsive through the story that it tells. The audio is a studio recording version of the performance.

   Home (2014) Home is a fixed media piece

that tells a personal story in a minimal form both in sound and text.

It tries to convey a sense of intimacy and to quietly call for empathy. The field recordings used in the piece were taken in and around the city center of Belfast. 

Every place is home for anyone and no one at the same time, because home is, in the end, what you carry inside and your own relationship towards that place within yourself.  

     Selected for ECHOES project “the stranger that is next to me” 

                                 Errant Bodies Performance       and 

                          Sounds Alive festival 

A Backer's Noisy Pit (2013)

  

  Composed with found sound and texts from diverse sources. Includes a collaborative homophonic translation work with composer Cem Özçelik.

Featured in OUA-EMF2017.

Collage - S (2012)

  

'S' in Collage-S can be understood as representing both Sound and Seoul. The track is a unique collage of processed field recordings taken during my stay in Seoul.

Performed at FKL Symposium in 2015.

Mindwandering (2013)

The term 'Stream of consciousness' or 'Train of thoughts' would be the best way to describe the idea, following which this piece was made. It's a rather longer sound collage of over 30 different found sound tracks and live recordings of improvised music, which were used and manipulated to accompany the infinitely wandering mind. The recordings fade in and out to each other and sometimes just jump from one to another in an atmospheric manner, until the recorder eventually gets turned off.

98 Needle Points (2014)  on

Balloon & Needle Compilation

music made with balloon and/or needle

  

 Purchase  

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